"In this room that's so antiseptic, where the procedures are so set, and paperclips become museum objects, we're still dealing with a man's stuff. It's very personal.
The girls know that Andy's dry cleaner's name was Danielle, and that she was always sending him bills, which he ignored. He did the same with the surgeon who saved his life after he was shot, who they found a note from that read, 'Pay up, you blowhard.' But they also know that, along with the unpaid bills, he would send art donations to charities. They know there are letters from fans, asking him to sign an enclosed photo, and the photo will never be there, which means he sent it back to them, signed. They know what he looked like without his wig on; that he had a comb-over.
Andy Warhol with mother in LIFE magazine, 1960s (?).
They know there is a whole box he made devoted to his mom, and how that one felt extra personal, because some of her clothing was inside, and that can connect you to a person more than anything else. They found Andy's clothing in the capsules, too. They know there are certain things you can't know about a person just through reading, like the actual size of their waist."
Spot on! A thoughtful but playful piece by Starlee Kine. Collections in Pop Art and popular culture. Please disregard the idiotic voices of the collections people, why do we let girls talk like that?
Listen to the act here, in Episode 514.